Archive

Photos from performance preparation.

Setting-up and rehersals.

Globalization in the name of Mars, Apollo or Hermes ?

The myth of Amphiaraos comes from a distant time period which, in a number of ways, resembles our times; the world is on the verge of uniting into a single whole ...

In search of the element of the Sacred in the theatrical experience.

Seeking to reestablish the connection with the Deeper Self, the act of the theatrical performance could be nothing more than a mere means. The Aim is much wider: How can I broaden my perceptive ability, how can I open up to the possibility of experiencing the totality of my nature ...

Gilgamesh and Symbolisms.

The play operates on multiple levels simultaneously. Its characters define models of behavior, thus, crystallizing the only elements of formal "education" available to the people of Mesopotamia. At the same time, it must be emphasized that it appears that Gilgamesh was the only "religious" text of that period ...

RODA on CNN.

The extensive report of CNN on July 18, 2002, presented the work of Roda Theater group and its efforts to promote the universal cultural tradition ...

Sacred our nature is. We are not human beings who have the experience of the sacred. We are sacred beings who have human experiences.

(Richard Smoley)